Upstage, Springsteen and Me – Albee Tellone

Upstage, Springsteen and Me

Has anyone got more details about this book? I’m a huge fan of early Bruce Springsteen bands: “Steel Mill, Bruce Springsteen Band, Dr Zoom & The Sonic Boom…, and this book might shed more light from that era…

Too bad that there is only a Kindle version of this book available?

“Autobiography by musician Albee Tellone, chronicling 6 years spent living in Monmouth County NJ and working alongside Bruce Springsteen.”

See more details about the book “Upstage, Springsteen And Me” at Amazon.com


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Who Will Replace Clarence Clemons?

Rumours about the new sax player(s)

“Who will replace Clarence?” That’s the line that Google automatically suggest when you write “who will replace”. While waiting the official news, all we can do is speculate. One thing is sure, it’s gonna be strange to go on the Bruce Springsteen & The E Street Band “Wrecking Ball Tour” and not to see Big Man.

About the new sax player(s). Here’s a quote from the recent Southside Johnny interview:

He’s stealing my saxophone players to replace Clarence (Clemons, who passed away last year), so we steal from each other’s bands occasionally.

Read more – therecord.com


Other interesting notes from the Wrecking Ball album credits (unconfirmed)

1 We Take Care Of Our Own (3:53) Bruce Springsteen

Ron Aniello
Soozie Tyrell
Patti Scialfa
Lisa Lowell
New York Chamber Consort

2 Easy Money (3:35) Bruce Springsteen

Ron Aniello
Soozie Tyrell
Steve Jordan
Patti Scialfa
Lisa Lowell
Michelle Moore
Antoinette Savage
Corinda Carford
Andrews. Tiffeny
Soloman Cobbs
Lilly Brown

3 Shackled And Drawn (Me And My Baby Got Our Own Thing Going)

4 Jack Of All Trades (5:58) Art Baron

Bruce Springsteen
Ron Aniello
Soozie Tyrell
Tom Morello
Curt Ramm
Clark Gayton
New York Chamber Consort
Stan Harrison
Ed Manion

5 Death To My Hometown (The Last Words Of Copernicus)

6 This Depression (4:08) Bruce Springsteen

Ron Aniello
Soozie Tyrell
Tom Morello
Patti Scialfa
Lisa Lowell

7 Wrecking Ball (5:47) Bruce Springsteen

Ron Aniello
Soozie Tyrell
Curt Ramm
Max Weinberg
Patti Scialfa
Charlie Giordano
Lisa Lowell
New York Chamber Consort
Rob Lebret
Clarence Clemons
Ross Petersen
Clif Norrell

8 You’ve Got It (3:47) Bruce Springsteen

Ron Aniello
Curt Ramm
Matt Chamberlain
Clark Gayton
Marc Muller
Rob Lebret
Stan Harrison
Ed Manion
Greg Leisz
Ross Petersen
Clif Norrell

9 Rocky Ground (I’m A Soldier In The Army Of The Lord)

10 Land of Hope and Dreams (People Get Ready)

11 We Are Alive (Ring Of Fire)

12 Swallowed Up (In The Belly Of The Whale) (5:33) Bruce Springsteen

Ron Aniello
Charlie Giordano
Soozie Tyrell
Clif Norrell
Rob Lebret
Patti Scialfa
Ross Petersen
Lisa Lowell
Jeremy McCoy
Dan Shelly
Mark Romatz
Rob Mathes

13 American Land (4:25) Bruce Springsteen

Ron Aniello
Charlie Giordano
Max Weinberg
Soozie Tyrell
Clif Norrell
Rob Lebret
Ross Petersen
Stevie Van Zandt

source


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1978-09-20 – “Douceur de Vivre” Capitol Theatre, Passaic, NJ – JEMS 2011 release

Bruce Springsteen & The E Street Band – “Douceur de Vivre”

New audio source from the 1978-09-20 Capitol Theatre show:

Title: Douceur de Vivre

Date: September 20, 1978
Location: Capitol Theatre, Passaic, NJ

JEMS Archive

2011 transfer: 1/2-track, 15 IPS master soundboard reels > azimuth-adjusted playback on professional reel to reel > 24/96 capture > Wavelab 5.0 edit and mastering > iZotope MBIT+ resample to 16/44.1 > FLAC

01 Good Rockin’ Tonight
02 Badlands
03 Spirit in the Night
04 Darkness on the Edge of Town
05 Independence Day
06 The Promised Land
07 Prove It All Night
08 It’s My Life
09 Thunder Road
10 Jungleland
11 Santa Claus Is Comin’ To Town
12 Fire
13 Candy’s Room
14 Because the Night
15 Point Blank
16 Kitty’s Back
17 Incident on 57th Street
18 Rosalita
19 Born to Run
20 Tenth Avenue Freeze-out (small patch at start from video soundtrack)
21 Detroit Medley
22 Twish and Shout (small patch at end from video soundtrack)

“JEMS could not be more thrilled to release this significant upgrade of the second show at the Capitol Theatre, one night removed from the historic radio broadcast that would go on to become one of, if not the most bootlegged recordings in Springsteen history, Piece De Resistance. In homage to that bootleg classic, we’ve titled the upgraded second night Douceur de Vivre, which translates to “the sweetness of life.”

And how sweet this set is, with a looser vibe than that of its predecessor and a few key set-list changes, including “It’s My Life,” the first “Santa Claus” since December 1975 and the rare-but-always-welcome coupling of “Incident on 57th Street” directly into “Rosalita.”

We’re fortunate to have many excellent recordings from Springsteen’s greatest tour, among them the five radio broadcasts (now including the upgraded Atlanta pre-FM JEMS released last year) and numerous other soundboard tapes such as those from Portland (June 24) and Charleston, WV (August 4). What makes Douceur de Vivre so special is that it, like the radio broadcast the night before, was professionally recorded on reel to reel by a mobile recording truck outside the theatre.

What we get is a live-as-it-happened recording of incredible clarity: If you ever wanted to learn the individual parts each band member is playing, this is the tape for you. Which isn’t to say that it is a multi-track, mixdown recording; this is a raw, mixed-on-the-fly, wide stereo recording done on 1/2 track at 15 inches per second. Compared to the cassette sources circulating of other raw board tapes from this tour, the quality here should be a revelation. A 24/96 edition will be forthcoming. Samples provided.

The transfer was handled as JEMS did for last year’s upgrade of The Ties That Bind so I’ll quote those notes: “There was baking involved, as the tapes had degraded in the [33 years that had passed]. This time, the reel-to-reel tape deck was best of breed, what the pros use, in a proper studio, calibrated and adjusted in every way for optimal playback and capture at 24/96 using the best possible sound card, cabling, etc.”

There are two missing pieces on the new reels, at the start of “Tenth Avenue Freeze-out” and the end of “Twist and Shout.” We’ve patched those from the video soundtrack. On the bright side, “Thunder Road,” “Jungleland” and “Incident on 57th Street” are all complete here unlike the circulating board tape.

The release of Douceur de Vivre is sure to coincide with the announcement of new 2012 tour dates, and once those dates begin, collector focus move to new recordings, so we wanted to get this out ahead of time. Now if only there were an upgraded video source to go with this audio…

Please respect our wishes DO NOT post this on DIME.
Wayne Darlington”


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1

Bruce Springsteen – Live In Passaic – September 20th 1978 – New video source!

Bruce Springsteen and the E Street Band – “Live In Passaic – September 20th 1978”

Location: Capitol Theatre, Passaic, NJ
Date: September 20, 1978

Release: JEMS Archive/Brucevideos

New Video Source/2011 transfer: production Beta cassette > restored Sony Betamax > uncompressed video capture (image stabilization, timebase correction, etc.) > Adobe Premiere > Auto Color / Crop filters > MPEG2 @ average 7.7mbps > MPEG Video Wizard > DVD Lab Pro

New Audio Source/2011 transfer: 1/2-track, 15 IPS master soundboard reels (baked for playback) > azimuth-adjusted playback on professional reel to reel > 24/96 capture > down sample > Sound Forge 9 (resample to 48k, time stretch filter for sync, compression, eq)

Screenshots: View album

Live In Passaic – Disc 1 (dual layer)

Good Rockin’ Tonight
Badlands
Spirit In The Night
Darkness On The Edge Of Town
Independence Day
The Promised Land
Prove It All Night
It’s My Life
Thunder Road
Jungleland
Santa Claus Is Comin’ To Town
Fire
Candy’s Room
Because The Night
Point Blank

Kitty’s Back

Live In Passaic Disc 2

Incident On 57th Street
Rosalita (Come Out Tonight)
Born To Run
Tenth Avenue Freeze-Out
Detroit Medley
Twist And Shout

“The classic revisited. Along with the pro-shot recordings from the Capital Centre 1978 and 1980, the in-house, black-and-white video from the second night at the Capitol Theatre has been beloved by fans and collectors for more than 30 years and with good reason. Recorded one day after the famous Piece De Resistance radio broadcast, 9/20 in another special show with a looser vibe (the pressure of playing for his entire northeast fanbase on the live broadcast was lifted) and a few key setlist changes, among them “Incident on 57th Street.”

While the 9/20 video has circulated among fans almost since the day it was recorded, a number of factors have conspired to undermine its quality. First, there’s the inherent problem of analog video, which loses quality with each successive generation. The master tapes for the Capitol Theater were supposedly recorded on a 3/4-inch, U-matic tape format, good for its time, but mediocre compared to the formats that followed. Then there’s the camera problem.

The cameras at Capitol Theatre employed auto-exposure control, and, as the veteran video technician who handled this transfer explains, “With those cameras, if the light got low, the cameras would automatically increase gain. But the gain would be the overall output, including blacks and sync. That’s why it gets washed out. The black level is increasing. Cameras today don’t do that.” If you saw the recent sample from this show posted by Wolfgang’s Vault, you saw the problem in spades. (And if you’re asking, who knows if WV’s promised future remastered version of the show will be an upgrade, but since it will only ever be available as a web stream it doesn’t really matter).

Couple the camera issue with inferior consumer video tape formats and bad analog transfer chains, and it is no wonder that the best circulating copy (generally considered to be the MilesHai version) is awash in gray, with significant loss of detail, especially from the camera at the foot of the stage. At times, Bruce’s face is completely blown out.

To the best of our knowledge, no circulating copy of the 9/20 video comes from a verified generation and this copy is no exception. However, there are two good reasons to believe this is the lowest-generation copy to be converted to DVD. First, the source is a production Beta tape acquired circa 1978-79. Second, an A-B comparison of the uncompressed transfer shows considerably more detail and contrast than previous versions. The result is a materially better picture. The auto-exposure effects can’t be fixed, but there is a very watchable result.

Pete took the uncompressed transfer, and utilized Adobe Premiere’s Auto Color filter to reduce the impact of the auto-exposure effects. The result is a substantial improvement, particularly to that camera at the foot of the stage. The video was gently compressed to fit onto two DVDs (one DVD-9/dual layer and one standard DVD).

But not before he painstakingly synced a brand new soundboard audio source to the video to improve both sound and picture. A couple of minor patches from the video soundtrack aside, the new audio is sourced from actual master reels recorded the night of the show. The Darkness tour may never have sounded this good before.

The new audio source does offer some previously missing bits – “Thunder Road” is now complete, and while “Jungleland” and “Incident” are still cut on the video, the audio is complete and included here. Two patches to the audio were required, the start of “Tenth Avenue Freeze-Out” and the end of “Twist And Shout”. Both utilize the original video audio.

This project has been one of our most ambitious to date, from tracking down the new video and audio sources, to baking the reels, to getting a very old Beta tape to track properly, to hours upon hours of work syncing the audio by Pete (thanks for partnering on this sir; we couldn’t have done it without you). We hope you enjoy and appreciate the upgrade. Samples/screen grabs provided.

Butterking for JEMS”


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